No, contributors to FOSS generally do not give away their rights. They contribute to the project with the expectation that their contributions will be distributed under its license, yes, but individual contributors still hold copyright over their contributions. That's why relicensing an existing FOSS project is such a headache (widely held to require every major contributor to sign off on it), and why many major corporate-backed “FOSS” projects require contributors to sign a “contributor license agreement” (CLA) which typically reassigns copyright to the corporate project owner so they can rugpull the license whenever they want.
Stealing from FOSS is awful, because it completely violates the social contract under which that code was shared.
You're still mixing up contributor license agreements with the kind of arrangements where the copyright is actually transferred and assigned "away" from the creator to another copyright holder (generally a copyright assignment agreement). This is far less common than CLAs.
I don't know what you mean by a rugpull exactly, but of course in theory you can grant/obtain very extensive rights under a CLA as well, including eg the permission to relicense your contributions under whatever terms the licensee prefers. CLAs are a great way to centralize the IPR in an open source project for practical purposes like license enforcement, but in case the CLA terms allow it, the central governing entity could also obtain the right to switch the license even to a, say, commercial one. (Such terms would usually be a red flag for contributors though.) And in any case, that kind of CLA wouldn't still close off the code already released under the previous open-source license, and neither would it prevent you from licensing your own contributions under terms of your choice.
Here in the north east of Scotland, I have to switch back and forth between Google Maps and Apple Maps. Apple Maps provides vastly superior residential navigation (it understands that many houses only have names, not numbers, and knows what those names are), but commercial information (where to find a café, are they open, etc.) is often incomplete or outright missing. It seems like Apple have coughed up for POI licensing from OS Maps or similar, but they're limited to whatever business information they can get from Yelp.
yeah, Apple maps isnt so good for tourist info, at least once you leave the big cities. I just use the web version of google maps if Im out travelling somewhere remote
Not to mention that those devices all support regular EPUBs out of the box, and so you can still put new content on them today.
Of course, you'll get a bit more out of them if you convert your EPUBs to KEPUBs with Kepubify[0], but the point remains that Kobos are supplemented by their cloud/connected features, not inherently dependent on them.
> easier to do bad things like "charge for individual internet user in a home."
This idea comes up in every HN conversation about IPv6, and so I suppose this time it's my turn to point out RFC 8981[0]. tl;dr: typically, machines which receive IPv6 address assignment via SLAAC (functional equivalent of DHCP) periodically cycle their addresses. Supposed to offer pretty effective protection against host-counting.
> Gun Rocket also stands out as my most lucrative personal project.
> I tried to boot up Gun Rocket to play it. But it refused. No matter how hard I clicked the game would not open.
> After trying a few times I realize if the ship isn't moving for about 0.5 seconds it explodes. Has that bug existed all this time? Oh bother. I hope not!
Grinds my gears that the game has continued to be listed for sale on Steam with years-old negative reviews pointing out exactly these issues, but the developer still has the gall to act surprised about them.
Hi there! I'm Jack. I wrote this article and created Gun Rocket. I can add more on my particular point.
When Gun Rocket launched, it did ok (maybe $100s). It made me feel great, but nothing life-changing. Most of the money I made was selling the distribution rights to a publisher (low $1000s). Again made me feel good but nothing crazy. They made some changes like a splash screen ad that I did not like. When that contract term was up I focused on removing that garbage. Idk when the explosion bug was introduced, but the point is I was surprised and immensely frustrated when I found it because the history of this game left my care and came back.
I agree that this bug existing for a long time reflects terribly on me. I hope that fixing it late is better than never fixing it.
I was gifted a Swiss Gear backpack when I went off to school (over fifteen years ago now). It was good – albeit very heavy – for the first two or three years. Then the soft surfaces started wearing through, the mesh water bottle pocket on the side wore through, and finally one of the straps snapped. I started trying to figure out how to make a claim against their legendary warranty process... and found that at that time (2013 or 2014), in Canada, their backpacks had at most a 1-year limited warranty. Nuts!
It does seem like Swiss Gear are now directly represented in Canada (rather than being represented by a third party, like they were a decade ago), and their backpacks now have a five-year warranty. But I guess my point is: if you don't live in the US, make sure that the things that a brand is famous for hold true in your region, too.
For all of these newfangled TLDs that are springing out of the woodwork with strictly for-profit interests, yes. Even some ccTLDs have seen rapid price hikes in recent years.
I think the safest bet is to pre-renew the domains you really want to keep for as far out as you can (most registries allow you to renew a domain for up to 10 years). That way, if there is some major change to cost structures, you have a decade to either weather the storm or come up with a migration strategy.
Resolution isn't the only problem. SD resolution (particularly PAL) is quite tolerable, if it's well-encoded from a good source.
DVDs are not well-encoded, and the sources are typically poorer, too.
DVDs store MPEG-2 Part 2 (H.262) video streams. It's an extremely old, inefficient codec. (It was published in 1996! Next month, it'll be 30 years old!) It looks best when the encoder is given a bitrate limit north of 20 megabits per second, but DVD-Video has a hardware limit of 10 Mbps, and that includes the audio and subtitle streams. Most video streams on DVDs get 4-5 Mbps. MPEG-2 also isn't a very good codec; no matter how much bandwidth you get it, it's never really considered to be “transparent” (that is, encoding artifacts are always visible).
If you take a Blu-ray copy of a film (FHD or UHD, doesn't really matter), scale it down to SD resolution, and run it through a good HEVC (H.265) encoder, you'll usually find that a DVD-equivalent encoding takes about a third, maybe a quarter of the space. Or, if you go the other way and let the encode take as much space as the MPEG-2 one on the DVD, you'll almost certainly see an obvious difference, particularly in action scenes.
Starting a physical media collection? Fantastic. Good for you (seriously). But get Blu-rays wherever possible. You'll mostly have to forego the thrift shop, fine, but if you're ever actually going to watch the film, you'll vastly prefer it.
I have both Blu-ray and DVDs and I've found its the content that determines which is good enough. Kids in care not one bit about image quality. Obviously: people still like retro games, too. But then other movies, like anything by Villenueve or Nolan, or Baraka, really want to be on 4K Blu-ray. But kids movies on DVD are perfectly fine, and sitcoms like Community. (Personally I'd pay extra to NOT see Pierce in 4k).
I recently purchased the Firefly Blu-ray and it was an interesting case because it's image quality isn't that much better than the DVD (but definitely better) however it's sound quality was astonishingly better than the DVD. I imagine this has a lot to do with the source material, how it was mastered, etc. I still stream, but I like that I have a core collection that will never disappear without warning, or be edited behind my back (which happens all the time, without notice, especially on YouTube and on Amazon Prime).
Yes, for older TV titles, the main reason to opt for Blu-ray is the better sound quality. Although DVD supports uncompressed audio (LPCM), that was rarely used outside Japan, and regular stereo audio typically used pretty mediocre compression.
When using subtitles, another reason is the higher-resolution fonts.
Stealing from FOSS is awful, because it completely violates the social contract under which that code was shared.
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